LibraryHow it is made

Mapping and application

How a set is designed and placed, and how to judge the work.

A set is a design problem and a precision job. Mapping decides the length, curl and thickness in each zone; application decides whether each extension sits on one lash, at the right distance and angle, with the right amount of adhesive. These entries explain each step, and end with what to look for, and what should worry you.

12 topics below. Open any of them.

Design

Before anything is placed, the lash line is divided into zones, usually five to seven from the inner to the outer corner, and each zone gets a length, a curl and a thickness. The map is drawn for your eye and your natural lashes, kept on file, and used again at every fill.

What good work looks like

  • A map that follows your eye, not a trend
  • Gradual changes from zone to zone
  • A different map for each eye if your eyes differ

What to avoid

  • The same map for every client

Ask your artist

“Can I see my map, and will you keep it on file?”

J
Almost straight
B
A soft bend
C
The everyday curl
CC
Lifted, still soft
D
A strong, open lift
L
Flat base, sharp lift
M
L with more lift

The curl is how far the extension bends from its base. J barely lifts; B is soft; C is the everyday curl; CC and D lift strongly; L and M have a flat base and a sharp lift, for hooded eyes, monolids and straight lashes. The right curl follows the angle your lash grows at, so the base bonds along the lash.

What good work looks like

  • C for most eyes
  • L or M for hooded eyes, monolids and straight lashes
  • B for curly lashes and prominent eyes

What to avoid

  • A curl that fights the direction of the natural lash: the base lifts and the extension falls early

Ask your artist

“Why this curl for my lashes?”

Extensions run from about 6 to 15 mm, and a map moves through several lengths. The safe limit is set by the natural lash: an extension much longer than the lash beneath it acts as a lever on the root. Short lashes get moderate lengths and a stronger curl, and length can grow over a few fills.

What good work looks like

  • A few millimetres longer than your natural lashes
  • A gradient between zones, not jumps

What to avoid

  • Lengths far beyond your natural lash

Ask your artist

“How much longer than my own lashes is this?”

0.03 mm
Mega volume fans, 10–14D
0.05 mm
Volume fans, 3–8D
0.07 mm
Light volume fans, 2–4D
0.10 mm
Fine classic
0.12 mm
Classic, most natural lashes
0.15 mm
Classic, strong natural lashes only

Thickness is measured in hundredths of a millimetre. Classic fibres are 0.10 to 0.15 mm, volume fans 0.05 to 0.07 mm, mega volume 0.03 to 0.05 mm. Weight rises steeply with thickness, so a fan of three 0.05 mm fibres weighs less than one 0.15 mm classic lash. The natural lash sets the limit, not the look.

What good work looks like

  • A diameter chosen for your natural lash
  • Lashes that still stand up at the end of the day

What to avoid

  • 0.15 mm classic fibres on fine lashes
  • Sets heavy enough to make lashes droop

Ask your artist

“Which diameter are you using on me, and why?”

Application

Each extension or fan is bonded to a single natural lash, separated from its neighbours under magnification. When two lashes are glued together, a sticky, they can no longer shed on their own schedules: the faster-growing lash pulls on the other, which is uncomfortable and can pull it out early.

What good work looks like

  • Every lash separated
  • Lashes that move independently when brushed

What to avoid

  • Stickies: lashes that move together when brushed

Ask your artist

“Do you work under magnification?”

The extension lies along the natural lash, starting 0.5 to 1 mm from the skin, never on it, with a small, smooth bond. It points the way the lash grows. Too close irritates and itches; too far and the extension lifts off early.

What good work looks like

  • 0.5 to 1 mm from the lid, never touching the skin
  • A small, smooth bond with no blobs
  • Extensions pointing the same way as the lashes

What to avoid

  • Adhesive on the skin
  • Heavy bases and visible glue

Ask your artist

“How far from the lid do you place the extension?”

Volume fans are either made by hand at the bed from loose fine fibres, or bought pre-made and heat-bonded at the base. Handmade fans can be sized to each lash and are light at the base; pre-made fans are consistent and quick, with a firmer, heavier base.

What good work looks like

  • Handmade fans for the lightest, most tailored set

What to avoid

  • Heavy pre-made fans on fine lashes
  • Fans dipped in a thick bead of glue

Ask your artist

“Are your fans made by hand?”

After

Natural shed
2–5 lashes a day
Fill
Every 2–3 weeks
Warranty
10 days

Each natural lash grows, rests and falls on its own cycle, and a few shed every day with their extension. That is why a set thins gradually and needs a fill every two to three weeks. Good retention comes from clean isolation, the right adhesive in a controlled room, and aftercare: a daily oil-free cleanse and no rubbing.

What good work looks like

  • A fill every two to three weeks
  • A daily oil-free foam cleanse
  • Brushing with a clean spoolie

What to avoid

  • Oils and rubbing
  • Four weeks or more between fills

Ask your artist

“What retention should I expect, and what is covered if it drops?”

Time
45–105 min
From
$70

At a fill, grown-out extensions come off, lash health is checked, and the set is rebuilt from the map on file. Fills are priced by how much of the set remains; with less than about 30 % left, it is a new set.

What good work looks like

  • A fill at two to three weeks
  • Arriving with clean lashes and no eye makeup

What to avoid

  • Leaving grown-out extensions on: they twist and weigh on the lash

Ask your artist

“What counts as a fill, and what as a new set?”

Time
30–45 min
From
$30

Extensions come off with a cream remover that dissolves the adhesive while the lower lashes are protected, followed by a cleanse and a look at the natural lashes. Picking or pulling extensions off takes natural lashes with them.

What good work looks like

  • Professional removal before a break, or before a new artist's set

What to avoid

  • Pulling or picking extensions off

Ask your artist

“What will you check once the set is off?”

Judging the work

Look at your set in daylight, a day or two after the appointment. Good work is quiet: you should not see glue, feel weight, or find lashes stuck together.

Signs of good work

  • Each extension moves on its own when brushed
  • No visible glue, and nothing on the skin
  • A smooth gradient, with no gaps or clumps
  • Both eyes read as a pair
  • No pain, itching or heaviness

Ask your artist

“Can you show me my set under magnification?”

Some problems are small and are fixed at the next fill. Others mean the set is harming your lashes and should come off.

Go back if

  • Lashes twisting or pointing in odd directions
  • One eye losing much more than the other in the first days
  • Gaps where the map should be even

Stop, and have it removed, if

  • Burning, swelling or itching of the lids
  • Lashes stuck together and pulling as they grow
  • Adhesive on the skin
  • Natural lashes coming out in clumps

Ask

“What is your warranty, and what does it cover?”